Two men in formal attire hold hands and smile at each other under a large whale skeleton display with blue neon lights on a concrete wall—capturing a unique Baltimore wedding moment.

JZ & Ben’s Wedding

Photographers:

William Petruzzo

Felipe Sanchez

What You’re About to See

This blog entry  is about JZ & Ben’s wedding at the National Aquarium, a gorgeous and unique venue that separates the photography pros from the weekend warriors. It’s beautiful, moody, predictably challenging, and extremely shiny. JZ & Ben knew all that, and leaned into it perfectly. This is a place that already meant something to them, and built a day that felt all their own around it. A lot of structure, a little chaos, some careful planning, and a dog named Bunsen who mostly ignored all of it. From the first look by the lighthouse to the reception under a suspended sculpture that looks like it belongs in another galaxy, everything came together piece by piece. Below you’ll find more than 200 images from JZ & Ben’s wedding at the National Aquarium, along with the story of how everything came together, what worked, what didn’t and maybe a few things you’ll want to think about yourself if you’re planning to hold an event here.

Just take me to the photos!

Meet the Vendors

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About the Location

The National Aquarium

501 E Pratt St,
Baltimore, MD 21202

Locaton Type:
Night view of the National Aquarium in Baltimore featuring a striking glass pyramid roof, a red walkway bridge, and a waterway bordered by tall grasses and wooden posts in the foreground.

It started with an email in early October. A short, direct inquiry. They’d found me through some of my previous work at the National Aquarium, which, if you’ve ever tried to photograph inside that building, you know it is both a compliment and a maybe a little bit of a threat. For a photographer that is proud of their technical prowess, it’s like a kindergarten dare posing as ecological conservation.

JZ and Ben were already in love with the space. As Baltimoreans, it’s something familiar to them. A place they actually spend time together. A living ecosystem made metaphor. It’s part of why it suited them so well. Plus, if you’ve done some shopping around for wedding venues yourself, you’d discover that it’s also a lot more affordable than you might imagine, as far as event venues go.

For me, it mattered in a different way. The Aquarium is a technical obstacle course for photographers. The architecture is gorgeous, but brutal. The light moves around you instead of with you and almost never goes where you expect. Everything interesting enough to point a camera at is also reflective enough to ruin your shot. So, naturally, I love it. You can’t fake competence in the Aquarium. You either know what you’re doing or you don’t.

In January, we did a walkthrough with Kimberly from the Aquarium’s events team. This place rewards preparation. Every level has its quirks—light conditions that are radically different from one corridor to the next. Access paths that seem almost labyrinthian at first. Exhibits that need to be protected—a genuinely important point, too, because this place is an institution of conservation first, and an event space second. It’s all part of what makes the Aquarium so interesting to work in. It’s less treasure-hunt and more tide chart.

And there was a subtle pressure for me, too. A good kind. They told me from the jump that they’d chosen me because of my earlier Aquarium work. That’s flattering, but it also meant I couldn’t just show up and deliver “good enough.” I felt a need to make something that builds on my experiences in that space that came before. So, that’s how we got here: a couple who cared about their story, a venue with a playbook numbered in volumes, not pages, and me with something to prove to myself.

Arrival

Felipe and I pulled into downtown Baltimore around three in the afternoon. The aquarium doesn’t have on-site parking for anyone including vendors. So we parked in the garage across the street. We hauled our gear through the Inner Harbor. Tourists everywhere, seagulls overhead. Me, wondering whether I packed too much or not enough (It was too much; I always pack too much).

We stopped by Pier 5 Hotel where the wedding party was getting ready. Felipe and I did a quick scout for a first-look location. The light wasn’t bad. Soft, directional, slipping between trees and buildings. Little things stood out since the last time I was there: how the crowd moved, where the shadows were casting, how the reflections were hitting the glass at different angles. The Aquarium asserts itself in the middle of it all. We popped in to say hello.

By 3:30 Felipe and I were at the staff entrance on Pier 3, dropping off reception gear and meeting Derek, the Aquarium’s event’s coordinator, for access. There’s a sort of finality when dropping off gear like that. Like handing luggage to an airline attendant. You better hope your wallet isn’t in there cause you’re not getting that luggage back until you land in Albuquerque, and you’re really going to want to impulse buy an immersion blender at the duty free shop.

The First Look

We got back to the hotel just before four. The plan we’d scouted out earlier was to walk out to the little park at the end of the pier — the one with the Seven Foot Knoll Lighthouse behind it. It’s nice out there; quiet by Baltimore standards, and a lot less foot traffic.

For the first look, we decided on a back-to-back reveal. Most weddings treat that moment like a small performance: one person stands, the other approaches, there’s a tap on the shoulder, everyone gets emotional on cue. But that setup makes assumptions about who’s supposed to approach who, who’s supposed to turn, who’s supposed to react, who’s being “seen.” It works fine most of the time, but for JZ and Ben it wasn’t the right fit.

They wanted something mutual. Equal. The emotional weight of that moment didn’t belong to one of them more than the other. So after batting around a few ideas, we decided to set them up back-to-back. They counted down together, and turned around at the same time. The emotion hit in stereo—same breath, same pause, same everything.

For a second, the whole harbor seemed to hold still. Just them, a little wind, some light bouncing off the water. Then someone laughed, and the day started moving again.

Family, Bunsen, and Building Momentum

Right after the first look, around 4:15, we started on family groupings in the same spot. The light was mostly steady, filtered through a forgiving haze in the sky. You could feel everyone starting to relax. The pre-ceremony nerves were still there, but diluted by emotional energy and the usual family commentary about who should stand where. We kept the Lighthouse in the back for the family photos.

Then came Bunsen—JZ & Ben’s dog, who immediately shifted the tone from structured to, well, something less than that. We turned them toward the Aquarium for that shot, Bunsen wasn’t allowed in the Aquarium (and he probably wouldn’t have liked it anyway). Bunsen looked everywhere except the camera, which is to say, perfectly on brand.

We finished up with Bunsen and watched as a groomsman walked him off into the distance. Family photos were finished, and it was time to move into a less structured round of portraits with the wedding party.

The Harbor Walk Wedding Party Session

From about 4:15 to 5:00, we made our way toward the Aquarium with the whole wedding party in tow. That stretch of the harbor is this odd mix of industrial and picturesque. Steel, glass, water. The occasional tourist trying to figure out what’s happening. We stopped near The USCGC Taney on Pier 6 for some photos while the light was particularly cooperative. The contrast there works: maritime metal and sharp lines against soft fabric and wedding colors. Its cool.

From there, we wandered the Harbor Bridge Walk. It’s a constant dance with foot traffic. People are parting around the group, some waving, a few cheering. Some wondering if they’re going to ruin a wedding if they accidentally walk in front of the camera. “No, you’re fine, go ahead”, I probably said 400 times in 15 minutes. Then we hit the Marine Mammal Pavilion. That’s where the architecture starts to feel almost like a modern cathedral—huge round windows, curves, sculptures. It’s a very cool spot, and also the building where JZ & Ben would be celebrating their reception in a few hours.

By then, the group had loosened up completely. The posing turned into joking, the joking turned into movement, and the movement turned into energy that photographs really well. We probably could have spent all of our time out there, but we were on a deadline to get inside for the much more challenging and regimented part of the wedding day portraits.

Entering the Aquarium

We stepped inside right at five, and the vibe changed instantly. The harbor’s noisy chatter gave way to a distinct hush. Like stepping into a church. Our first stop was beneath the finback-whale skeleton in Blacktip Reef. The skeleton—known as “Omega”—is an original specimen about 58 feet long. The whale was caught in the Atlantic off New England in 1883, its bones prepared for display, and later moved to Baltimore in 1979 on permanent loan from the New York State Museum. It’s very big, and very cool, and also really awkward trying to fit it into a shot with 16 people.

We ran two angles on the full wedding party. One angle from the overhead walkway, pulled back to get the full scale of the room. The other angle, closer and wide angle, to catch the faces. Inside the Aquarium, the light behaves differently. It doesn’t come from anywhere; it just sort of exists. So we lit the group with a single light behind an umbrella, and the whale with a separate light held by a very helpful wedding guest on the next floor up. Neither of these hero shots were ‘traditional portraiture’, but they were both very interesting portraiture.

From there, we started descending into the Atlantic Coral Reef. The only light in this area comes from the tanks, and the deeper you go the darker everything gets, and turns a deep blue. Guests lower their voices without being told to. The space makes an unspoken appeal for reverence, like a library. It’s also the most relentless challenging part of the entire building to photograph. You have to balance handheld light with incredibly dim ambient light, and you have to find an angle where the reflection doesn’t blind the image (or, more realistically, where the reflection can be tastefully removed later). It’s a slow and deliberate dance — and at least a little stressful. There were divers in the tank while we were making our way down and a few of them made their way into our photos.

Couple Portraits

Once we cut the wedding party loose around six, it was just JZ & Ben, Felipe and I, moving through the aquarium with Felipe running handheld light. That’s the Aquarium rule—no stands, no flashes on tripods—everything has to stay mobile while guests are still inside. It sounds limiting, but it actually helps keep you nimble and conscious of the surroundings and opportunities.

We started this next round of photos near the bubble tubes by the entrance to Blacktip Reef. The shapes and textures there are kinetic — pulsing and modern, intimate even.

Then we circled back to the whale skeleton. Same subject, but this time from the second story with more emphasis on the couple. The earlier shots had been about scale and symmetry, these were more grounded and personal.

Next we stopped by the waterfall at the entrance next. This room is lit by the building’s giant glass façade and these were some of our only shots indoors that were naturally lit — though we did dunk a flash in the water to light up the river tank at the bottom of the falls.

The Wild Extremes walkway was next—a narrow bridge suspended over the wetlands. Long leading lines, and repeating window patterns make this scene feel part conservation part airport terminal. Finally, we wrapped up at the giant suspended sculpture outside Jellies Invasion. It’s this glowing, surreal installation that looks half organic, half digital, and comes to life in a bizarre way when you shoot light up through the bottom of it.

Ceremony in the Glass Atrium

The ceremony started at 7:15 in the Aquarium’s glass atrium overlooking the harbor. By then, the light outside was fading fast into that gentle blue stage between daylight and night. City reflections were starting to appear in the glass. The overhead lights beginning to overtake the light natural light coming in from the window. It’s actually a tricky time to be shooting indoors anywhere. But, what the Aquarium’s atrium lacks in idealized lighting conditions, it makes up for in grandeur.

Guests settled in, the sound dropped to a low murmur. One by one JZ & Ben’s wedding party of formidable size walked up the aisle. JZ and Ben took their places. I positioned myself with a long lens toward the back of the room and Felipe positioned himself up front with a wider lens.

Their vows came with a few laughs and a lot of sincerity. The moment very much belonged to these two. The ceremony ended. They walked out together through a narrow aisle of family and friends, everyone clapping, a little flash of adrenaline as they stopped for a kiss in the aisle. Outside, the harbor lights were fully up and pouring through the glass wall behind them.

Post-Ceremony Portrait & Cocktail Hour Tour

After the ceremony ended around we headed straight to the shark-mouth fossil just outside the atrium. We’d done photos with Ben’s family earlier in the day, but for pragmatic reasons we saved photos with JZ’s family for after the ceremony. Family portraits with the fossil are an unofficial tradition at the Aquarium. I have no idea where it came from. It wasn’t my idea, but it’s cute and kind of funny. Plus it’s about 15 feet from where the ceremony takes place, so it’s also practical.

Everyone wanted to head off to get a drink or explore the Aquarium. We ran through the groupings quickly.

From there, JZ and Ben wandered off for cocktail hour. One of the more compelling things about having a wedding at the Aquarium is that the exhibits are open for guests to browse around unattended. You basically get the whole place to yourself for an hour or so. It’s a unique experience. That’s what JZ & Ben wanted to do for the cocktail hour. A few guests tagged along while they toured the exhibits. The Aquarium feels different when no one else is there. It’s more personal.

We did a few more portraits down in the Atlantic Coral Reef, this time without the schedule pressing on us so hard. The shots came out looser, easier. You could tell the hard part was over.

The Reception

The reception kicked off around 8:35 with the grand entrance from the balcony above Jellies Invasion where the reception was taking place. Pulling off coverage of the entrances really needed two photographers — one of us from above, and the other below. Even so, it was tricky. From the guest perspective, it was really cool. Almost royal.

The first dances happened right after. Ben and his mom, JZ and his moms, and then the two of them together. No spotlight tricks, or rehearsed dips. They were authentic and touching displays of affection that set against the dramatic backdrop of the room’s hanging jellyfish sculpture.  Dinner came next, buffet style, followed by toasts near the end. Parents, best mates, a few tears, but mostly laughter.

At some point in the middle of it all, JZ’s mom’s three-tier cake appeared—a dramatic modern design. I was shocked to hear it was a DIY feature of the day. I’m guessing JZ brought his mom as a ringer on the cake front because it was genuinely stunning. They cut it privately, just the two of them, no big announcement. The music picked up not long after that, and the dance floor never really emptied again.

The night closed with an unusual surprise tune. Something loud and fast. Hardcore or metal that lit up the room, JZ and ben in particular. I couldn’t tell you the song anymore, but it hit exactly right for this crowd, though I’m guessing some of the older guests who’d stuck around all night were confused.

Departure

We packed up just after midnight. Tired from conducting the photography orchestra all day. By then, the Aquarium was basically empty. Just some staff from SSA Group finishing up. Stepping outside, the harbor had gone completely still. The same place that had been buzzing ten hours or so earlier now felt suspended. There were still festive lights decorating trees outside.

On the walk back to the car, I stopped for a few last frames of the Aquarium lit up against the urban backdrop. Long exposures make the world look dreamy. The building looked like it was ready for bed, too. It’s a hard thing to explain, but when a space holds that much movement all day, the silence afterward really does feel earned.

And that was it. Just the sound of the water, distant traffic, and Felipe and I high-fiving our way back to parking garage. We were off to get some Slurpees and 711 taquitos to celebrate a challenging, but successful wedding day.

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